It keeps going without the dashboard
The timer and overlay state live in the app, not in the tab. Close the browser and everything stays on air.
It runs on your machine. You drive it from the browser, OBS shows the result. No account, no cloud, nothing to install anywhere else.
The timer and overlay state live in the app, not in the tab. Close the browser and everything stays on air.
Every machine sees the same state live. Two people can work at once without wiping each other’s edits.
Paste the address into an OBS browser source and it is wired. A single address is enough if you would rather stack them all at once.
Each has its own settings, design, on-screen position and control commands. None of them is mandatory.
Animated text banner, single or stacked.
Team standings, decimal and negative scores.
Countdown running server-side.
Message and countdown combined.
Video and audio player fired from a key.
Plays back the last seconds from OBS’s replay buffer.
Images, video and QR codes with entrance animations, alone or in scrolling groups.
Annotate live on air, pressure-sensitive with a pen tablet.
Scrolling news ticker.
Live polls: voting from chat, or mirroring Vimeo’s and Twitch’s own native poll.
TV-style quiz, participants answer from their phone.
One chat message pulled up on air.
The chat scrolling continuously.
Chat emotes fly across the screen, and go wild when several people send the same one.
Full-screen scrolling credits.
Viewers enter with a keyword in chat, the winner is announced on screen.
The show rundown, with computed timings — the current segment stays visible on every page.
The confidence screen for the crew on stage.
Red, yellow or green light on each camera operator’s phone, driven by OBS.
Both satellites are optional: OverlayStudio works on its own.
The server and the dashboard. Node and React, a Windows executable, self-contained profiles you can export and hand over.
Every module’s commands on physical keys, with real state coming back: a key lights up when its overlay is on air. Long press for resets, and the Stream Deck + dials nudge a score, a time or a volume one notch at a time.
Relays YouTube, Twitch and Vimeo chat into the modules, can write back under your own account, and picks up Vimeo’s and Twitch’s native polls. Twitch is READ without it, natively — but writing to it needs a tab open in the bridge.
Config, media and fonts in a single folder. Export it as one file, hand it over, it runs elsewhere unchanged — with a preview before you import.
One button drops the overlay into the open scene, at the right size. And the app knows what is on air: streaming and recording show up with their elapsed time.
On their own phone, nothing to install: scan a QR code, and the screen turns red when their camera goes on air — worked out from OBS, nested scenes included. The control room can send them a note, and the current run-of-show segment shows alongside.
Define a colour once, bind it in design fields. It changes everywhere at once.
Nine anchors or free placement, per module. The same setting applies to the standalone overlay and the composite.
One command clears every module at once, without flooding the Stream Deck with redraws.
An overlay never shows its problem on air: it reports to the dashboard, which explains instead.
The whiteboard follows stylus pressure, with stroke smoothing and PNG export at overlay resolution.
While a jingle or a replay plays, the OBS sources you pick come down, then back up. The original volume is written to disk before the dip: if OBS closes at the wrong moment, nothing stays stuck low.
Twitch’s own, plus the ones 7TV, BTTV and FFZ add — which nothing announces in the messages. They show wherever chat shows, and the emote wall animates them.
The stage monitor opens full-screen on your second display, straight from the app. No OBS, no browser.